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<channel>
	<title>Julia Giertz</title>
	<link>https://juliagiertz.info</link>
	<description>Julia Giertz</description>
	<pubDate>Mon, 09 Nov 2026 12:15:36 +0000</pubDate>
	<generator>https://juliagiertz.info</generator>
	<language>en</language>
	
		
	<item>
		<title>Bio</title>
				
		<link>https://juliagiertz.info/Bio</link>

		<pubDate>Tue, 26 Feb 2019 16:21:48 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Bio</guid>

		<description>
BIO
Julia Giertz (Stockholm) has a long-standing practice as a sound artist. Once originating from choreography, her practice is today influenced by implementing concepts of resonance and mechatronics. In her work composition is mixed with the construction of sound sculptures and electroacoustic instruments. Central to her work is the physical and political aspects of listening as well as the relation between sound, people and movement. 

She has presented works at the Venice Biennale, Unsound, Intonal, Tensta Konsthall, Kunsthal Charlottenborg, MDT, K3 Hamburg, Norberg and Norrlandsoperan amongst others. 

Some of her artistic collaborations include choreographer Marie Topp, composer Zosia Hołubowska, artist Cara Tolmie, k.ö.k/Kvinnocenter i Tensta, artist Lisa Nyberg and sound artist Tarek Atoui. 

She gives lectures in immersive audio and synthesis at various insitutions in Sweden and Denmark. As an audio engineer she has been supervising the development of the multichannel dome at the Royal Institute of Arts (Mejan) in Stockholm. 

Giertz is currently working part time as studio engineer at Elektronmusikstudion (EMS) in Stockholm.


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Photo credit: Julia Rakel
	



	




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	</item>
		
		
	<item>
		<title>NOW/SOON</title>
				
		<link>https://juliagiertz.info/NOW-SOON</link>

		<pubDate>Fri, 07 Nov 2025 12:29:53 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/NOW-SOON</guid>

		<description>
NOW / SOON2027Febuary: &#38;nbsp; &#38;nbsp; &#38;nbsp;
Fullmånen från Helvetet - sound layering for  new album by Cecilia Nordlund
April:&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 26/4 - premiering new piece with Marie Topp at Dansehallerne in Copenhagen

2026
February: &#38;nbsp; &#38;nbsp; 
solo concrt at Présences électronique by INA GRM, Pairs

March: &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
The Labyrinth at Dansehallerne&#38;nbsp;27.3.2026, 20:00 and&#38;nbsp;28.3.2026, 17:00, CPH

August:&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
sounddesign for chariot of flesh/flesh chariot by Faye Driscoll, for Cullberg, STHLM

October:&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;
 Extended Instrument, new commisson for Fylkingen, with Cara Tolmie, Stockholm&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;
 Heavy is the head, music for solo for Rachel Tess choreographed by Marie Topp, Trelleborg Museum

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	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://juliagiertz.info/Contact</link>

		<pubDate>Tue, 15 Oct 2019 22:01:41 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Contact</guid>

		<description>
CONTACT



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; julia.giertz (at) gmail.com







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	</item>
		
		
	<item>
		<title>Works</title>
				
		<link>https://juliagiertz.info/Works</link>

		<pubDate>Tue, 26 Feb 2019 16:21:48 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Works</guid>

		<description>

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	<item>
		<title>chariot of flesh/flesh chariot</title>
				
		<link>https://juliagiertz.info/chariot-of-flesh-flesh-chariot</link>

		<pubDate>Mon, 09 Nov 2026 11:50:02 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/chariot-of-flesh-flesh-chariot</guid>

		<description>
chariot of flesh/flesh chariot︎ fayedriscoll
︎ Cullberg
︎ superclean






	Faye Driscoll has created her first collaboration with Cullberg — a contemporary dance performance featuring fifteen dancers.

Credits:
Choreographed by: Faye Driscoll

Choreographic Assistant: Amy Gernux

Set Design: Jake Margolin, Nick Vaughan

Costume: Irene Ip

Sound Design: Julia Giertz

Light Design: Mira Svanberg

Dramaturg: Dages Juvelier Keates

Rehearsal Director: Eva Mohn

Stunt Coach: Nilla Hansson

Created in collaboration with the dancers: Anand Bolder, Andrea Muelas Blanco, Camille Prieux, Celina Hage, Eleanor Campbell, Girish Kumar Rachappa, Harrison Elliott, Johanna Tengan, Johanna Willig-Rosenstein, Katie Jacobson, Lilian Steiner, Luca Seixas, Lukas Karvelis, Mohamed Shika Saleh, Noam Segal, Panos Paraschou, Thamiris Carvalho, Vincent Van der Plas and the apprentices Anton Skaaning Thomsen, Laure-Anne Sartorius, Letícia Ferreira, Louis Montes


Reviews:
Aftonbladet

Dagen Nyheter
Svenska Dagbladet
Göteborgsposten
Kulturbloggen
Danstidningen
	Material:Soundscore is live processing of the scenograpic structures and the dancers with the following microphones3 MILAB2 KMH 1842 CROWN2 wireless contact mics
wireless transducers
surround speakersetupProcessed with vocoders and gates using
V-sytnh
Eurorack

Supercollider/Superclean








Photo: Carl Thorborg




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Reviews
Through skilful dramaturgy and the phenomenal timing of the Cullberg dancers, it gradually draws the audience ever deeper into its concentration.
— Dagens Nyheter

What lingers with me is an image of how human existence can not only acquire meaning through art but also continue to live through it. “Life is short, art is long,” and so on. Perhaps even eternal. At least as long as there are people left on earth willing to defend and preserve it.
— Aftonbladet

The fragmented, at times almost vibrating quality of the work is reinforced by the lighting, which shifts rapidly between strong, flowing warmth and coldness or flickering shadow.
— Svenska Dagbladet

On stage are magnificent dancers, but it is not only their technical skill that moves us. It is their ability to make the invisible visible, allowing bodies to carry things for which words are insufficient. Flesh reminds us that we are bodies among other bodies. That we need one another, but also need to encounter ourselves.
— Kulturbloggen




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	<item>
		<title>True Random</title>
				
		<link>https://juliagiertz.info/True-Random</link>

		<pubDate>Mon, 07 Jul 2025 07:58:08 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/True-Random</guid>

		<description>
TRUE RANDOM︎ marietopp
︎ Dansehallerne
︎ superclean






	The soundstrack for True Random will be released Spring 2026
Time is out of joint. It resides in the body. True Random attempts to grasp the feeling of balancing on the edge of the abyss. Losing orientation. Losing the organization of the world. 

There is so much that matters in a life that is ruled by chance. It can be felt when the world is undergoing rapid transformation, and it serves as a reminder of how vulnerable we are, and how quickly everything can change. True Random is a performance where community and the poetic force of moving together are central, and where the meaningfulness of the randomness is explored.

Credits:
Choreography: Marie Topp&#38;nbsp;
 Music: Julia Giertz 
Lightning Design, scenography: Mårten K Axelsson 
Costume design: Maria Folkmann Ipsen 
Dramaturgy: Igor Dobričić 
Developed and danced by: Karis Zidore, Snorre Elvin, Emilie Gregersen, Alexander Montgomery-Andersen&#38;nbsp;
 Production: Visible Effects 
Producer: Carlos Calvo
 Photos: Christian Bang&#38;nbsp;

Reviews:
Danstidningen by Vibeke Wern
Bastard by Stina Strange Thue
Sceneblog
	Material:Bytebeated Korg MS 20&#38;nbsp;
Eurorack
Buchla 200
Supercollider/Superclean
Fire
Orchs
Swords
Wings
Dragons







Photo: Cristian Bang




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True Random is the third piece in a series of performances exploring our personal, inner time in different phases of life. The experience of the passage of time is embodied through different formats, spaces, and temporalities. The previous works in the series are The Labyrinth (2022) and Maze (2023). By following the architecture of the labyrinth, the logic of the maze, moving towards the concept of “True Random”, these choreographies invite the audience to reflect on life and existence in relation to the most fundamental movement: the passing of time.
About the artistsMarie Topp and Julia Giertz have been collaborating for ten years and have created a number of works. Their artistic practices meet at the intersection between choreography and sound art. Together with lighting designer Mårten K Axelsson and dramaturgist Igor Dobričić, they have formed a distinctive expression through intentionally crafted minimalism that holds space for the movement of time.About the Artistic Collaboration“The music by Julia Giertz and the lighting design by Mårten K Axelsson. Music, light, and choreography are not merely woven together, but play together like a jazz band, giving space to each other as equal partners. There are layers of narrative that we cannot see, but sense as inner images and dream visions in a blend of movement and light.” – Iscene.dk on The Labyrinth

Their works have been shown at MDT (Stockholm), Dansehallerne, Inkonst Malmö Takkelloftet/Operaen (KBH), and Kampnagel (Hamburg) amongst others.


Premiered at Dansehallerne (Copenhagen) May 25 2025

Co-Production: Dansehallerne 
Supported by: Statens Kunstfond, William Demant Fonden, Wilhelm Hansen Fonden, Knud Højgaards Fond, Beckett Fonden, Augustinus Fonden, Københavns Kommune Scenekunstudvalg




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	<item>
		<title>Heavy is the head</title>
				
		<link>https://juliagiertz.info/Heavy-is-the-head</link>

		<pubDate>Mon, 09 Nov 2026 12:15:36 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Heavy-is-the-head</guid>

		<description>
Heavy is the head︎ marietopp
︎ trelleborgkonsthall







	Heavy is the Head by Marie Topp premiered October 30 2026 as part of Rachel Tess series Flipside 
Rachel Tess is an internationally acclaimed dancer and choreographer with an extensive career spanning some of the world’s leading stages. She has worked with renowned companies including Les Grands Ballets Canadiens, GöteborgsOperans Danskompani and Cullberg Ballet. Now, she returns to Trelleborg with Flip Side.
Flip Side – Rachel Tess

Concept: Rachel TessChoreography: Anna Pehrsson, Pontus Pettersson and Marie Topp

Flip Side is an international dance project in which ten Swedish and international choreographers each create a solo work for Rachel Tess. Developed over several years, the project now comes to life inside Axel Ebbe Art Hall.

Commissioned by Tess as a dance anthology, the series takes its name from the B-sides of music albums – the lesser-known tracks where the unexpected and experimental often find their place. Through the distinct artistic expressions of ten choreographers, we encounter Rachel Tess and dance from new perspectives. A meeting of different artistic voices, brought together in one body.
Credits:
Choreography: Marie Topp&#38;nbsp;
 Music: Julia Giertz 
Dancer: Rachel Tess
 Production: Visible Effects 
Producer: Carlos Calvo


	Material:
Eurorack
V-synth
Supercollider/Superclean
Fire
Cabbage
Wings
Dragons












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About Rachel TessRachel Tess (b. 1980) is an American dancer and choreographer based in Sweden. She has enjoyed an extensive international career, performing with companies including GöteborgsOperans Danskompani and Cullberg Ballet.

Today, she directs MARC (Milvus Artistic Research Center), an artist residency centre for dance and choreography in Knislinge, Sweden. She has also created works for companies including Skånes Dansteater, Norrdans and Danish Dance Theatre.

In recognition of her work developing dance in rural communities, she was awarded the Birgit Cullberg Scholarship (2019) and the Region Skåne Culture Prize (2023).

Flip Side is part of an ongoing collaboration with MARC, through which we explore and deepen our understanding of contemporary art by highlighting the sculptural qualities of dance and choreography at Axel Ebbe Art Hall.

Milvus Artistic Research Center was founded in 2014 and is an artist residency centre for dance and choreography based in Knislinge, Sweden. Throughout the year, artists are invited to stay and develop their artistic practice at the centre.
&#38;nbsp;
Supported by: Statens Kunstfond and Milvius Art




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		<title>Maze</title>
				
		<link>https://juliagiertz.info/Maze</link>

		<pubDate>Sun, 25 Feb 2024 09:48:25 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Maze</guid>

		<description>
MAZE︎ marietopp
︎ Hägerstens Medborgarhus
︎ MARC






	We have chosen to forget what we think we know about the theatre, dance, collaboration, music, technology, community, storytelling, publicness, situation, event, intimacy, body, presence.

We left those preconceived notions behind in order to search for their renewal.

So, as it is often the case inside the maze, we keep moving backward in order to move forward in more than one sense:

We are retreating toward death so that we candiscover how to live.

We are joining together so that we can againunderstand theatre.

We are engaging a resting subject so that we can recover a resonating object.

We are reclaiming the sculptural volume of the body in order to make it dance.

We are discovering the origin of music in sound in order to listen deeply.

We are inviting you to be invited by you.

We are seeing you in order to be seen.

Because what was before will come back again,as new.

Or at least - that is our hope.

Maze shows: 
2025
8-9 november
10:00-12:00 Taidehalli as part of Moving in November Festival
Tour supported by Konstnärsnämnden
3-6 April, Tredje Våningen, GöteborgNovember 8-9 Taidehalli, Helsinki as part of Moving in November 2023

2024 
16 - 17 Mars 
Hägerstensåsensmedborgarhus, Stockholm

20-25 Maj Sydhavnsteater, Copenhagen
27-29 September, Kunsthal 44Møen, Møen

2023October 15 Marc in Knislinge


People:
Music and electronics: Julia Giertz
Choreography and perfomer: Marie Topp
Dramaturgy: Igor Dobričić
Programming PD/Bela:John Chantler
Programming Arduino: William Rickman
String instruments: Julia Giertz and Felix Ahlberg Ericsson
Metal resonators: Samuel Norup
Production: Carlos at Visible Effects

Special thanks to:  Cara Tolmie, William Rickman, Sergey Filatov, Tarek Atoui, Camilla Barratt Due, Elof Hällström, Sebastian Dahlqvist &#38;amp; everyone at MARC and Hägerstens Medborgarhus



	Material:Bela
IR-sensors
Plywood
BeechwoodMasurwood / vril
Speechsynthesis
Coil-microphones
DMX/PWM converters
 Transducers
Plastic belts
CopperwireTuning pegs
DC-motors
Amplifiers
Korg MS20
EurorackV-synthStrings
Buchla
Metal




Watch a trailer of&#38;nbsp;Maze on YouTube






Photos in order of apperance: Thomas Gunnar Bagge, Marcus Jablonski &#38;amp; Santiago Mostyn, Erik Sandberg




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&#60;img width="2048" height="1080" width_o="2048" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ccb75dff4c127011a1debe9badc21b6f839578731f2848f5f77afe42580accd5/Maze-2-credit-Erik-Sandberg-_-studio-Kupol-.jpeg" data-mid="205407143" border="0"  src="https://freight.cargo.site/w/1000/i/ccb75dff4c127011a1debe9badc21b6f839578731f2848f5f77afe42580accd5/Maze-2-credit-Erik-Sandberg-_-studio-Kupol-.jpeg" /&#62;







Maze is the second work in a series consisting of three reflections on time and existence. Staged in different formats, spaces, and temporalities, theseries will process the relationship between the inner and outer worlds and reflect on what existence is in a world of decay.
About the artistsMarie Topp and Julia Giertz have been collaborating for ten years and have created a number of works. Their artistic practices meet at the intersection between choreography and sound art. Together with lighting designer Mårten K Axelsson and dramaturgist Igor Dobričić, they have formed a distinctive expression through intentionally crafted minimalism that holds space for the movement of time.
Their works have been shown at MDT (Stockholm), Dansehallerne, Inkonst Malmö Takkelloftet/Operaen (KBH), and Kampnagel (Hamburg) amongst others.


Supported by:
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</description>
		
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	<item>
		<title>Metodutveckling</title>
				
		<link>https://juliagiertz.info/Metodutveckling</link>

		<pubDate>Mon, 25 Sep 2023 10:35:33 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Metodutveckling</guid>

		<description>
Metodutveckling︎ marietopp
︎ Hägerstens Medborgarhus
︎ MARC






	Music and electronics: Julia Giertz
Choreographic consultant and perfomer in the research process: Marie Topp
Programming PD/Bela:John Chantler
Artistic constultant: Camilla Barratt-Due
Programming Arduino: William Rickman
String instruments: Julia Giertz and Felix Ahlberg Ericsson
Metal resonators: Samuel Norup
Final photo/film by Erik/Studio Kupol and John Chantler

Special thanks to:  Cara Tolmie, William Rickman, Sergey Filatov, Tarek Atoui, Camilla Barratt Due, Elof Hällström, Sebastian Dahlqvist &#38;amp; everyone at Hägerstens Medborgarhus



	Material:Bela
IR-sensors
Plywood
BeechwoodMasurwood / vril
Speechsynthesis
Coil-microphones
DMX/PWM converters
 Transducers
Plastic belts
CopperwireTuning pegs
DC-motors
Amplifiers
Korg MS20
EurorackV-synthStrings
Buchla
Metal




Maze from Marie Topp on Vimeo.



Photos from the process by Julia Giertz




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Open research space:16 - 17 of March Hägerstens Medborgarhus (Stockholm)

About the method development:
In this research the main focus has been on deepening the relationship between listening and memory, movement and electronics. We have been working closely with IR-sensors, Bela microcontrollers and transducers in the choreographic space. The sounds produced have been recorded memories and syntetic percussion filtered through various objects, where the filter responce and resonance of each object has been enhanced by a syntezised resonances and modulation.
About the collaboration between Marie Topp and Julia GiertzMarie Topp (DK) and Julia Giertz (SE) met at The National School of Performing Arts in Denmark (2005) – since then they have maintained a close artistic dialogue. During the last ten years they have been continuously involved in each other’s artistic projects as colleagues and collaborators. Often in collaboration with lighting designer Mårten K Axelsson and dramaturge Igor Dobričić. &#38;nbsp;




Supported by:
&#60;img width="2382" height="908" width_o="2382" height_o="908" data-src="https://freight.cargo.site/t/original/i/5d3a7397ad0a0216950456e6c8c3f7fe263b7cfadb2e8471239b60d38798f73d/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" data-mid="195484819" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/5d3a7397ad0a0216950456e6c8c3f7fe263b7cfadb2e8471239b60d38798f73d/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" /&#62;



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</description>
		
	</item>
		
		
	<item>
		<title>Cascade Bend Chamber</title>
				
		<link>https://juliagiertz.info/Cascade-Bend-Chamber</link>

		<pubDate>Mon, 25 Sep 2023 10:13:27 +0000</pubDate>

		<dc:creator>Julia Giertz</dc:creator>

		<guid isPermaLink="true">https://juliagiertz.info/Cascade-Bend-Chamber</guid>

		<description>
Cascade Bend Chamber︎ MINT
︎ Cara Tolmie
&#38;nbsp;︎ Susanna Jablonski





	Sound sculptres created in collaboration between Cara Tolmie and Julia Giertz

Concept and music: Cara Tolmie and Julia Giertz
Metal work: Cara Tolmie and Danae Valenza

MINT Gallery, Stockholm&#38;nbsp;13.5 – 26.8 2023

	Material:AluminiumCaras voice
Transducers
Amplifiers
Speakers






Cascade Bend Chamber is a major new commision at Mint, led by artist and musician Cara Tolmie. It takes shape through installation, music and performance and is made in dialogue with various collaborators including, amongst others, Julia Giertz, Susanna Jablonski and live performances with Stine Janvin and Em Silén.
&#38;nbsp;


Lsi (Cara Tolmie &#38;amp; Julia Giertz 2023)&#38;nbsp;



&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/3d67f115216e3c5b62ab255923cd5089c85156de48c3c29726bc41263a3fff45/IMAGE-2023-09-25-122637.jpg" data-mid="191763552" border="0"  src="https://freight.cargo.site/w/1000/i/3d67f115216e3c5b62ab255923cd5089c85156de48c3c29726bc41263a3fff45/IMAGE-2023-09-25-122637.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/bc555289202aa9dc00fb36442a2aea5f1cd50ec80dc6078744dfe19e4ae1e831/IMAGE-2023-09-25-122635.jpg" data-mid="191763551" border="0"  src="https://freight.cargo.site/w/1000/i/bc555289202aa9dc00fb36442a2aea5f1cd50ec80dc6078744dfe19e4ae1e831/IMAGE-2023-09-25-122635.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/782e1c3e4949d8be32c2a8c3506f1da8a2f0fdf0df8fb3ce48a02769ede32ca8/IMAGE-2023-09-25-122639.jpg" data-mid="191763553" border="0"  src="https://freight.cargo.site/w/1000/i/782e1c3e4949d8be32c2a8c3506f1da8a2f0fdf0df8fb3ce48a02769ede32ca8/IMAGE-2023-09-25-122639.jpg" /&#62;





Metal resonators by Cara Tolmie and Julia Giertz (2023) installed together with listening panels from velvet by Cara Tolmie and Susanna Jablonski (2021)


&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/677c13004c5193e907ef9207b9567d457c1498473687d814d9e38918475d0fa3/IMAGE-2023-09-25-122620.jpg" data-mid="191763707" border="0"  src="https://freight.cargo.site/w/960/i/677c13004c5193e907ef9207b9567d457c1498473687d814d9e38918475d0fa3/IMAGE-2023-09-25-122620.jpg" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/e4025c031d25c3a8b0bcc0a0940c29a2f6bce3e43ec7a76cc340730072c62d00/IMAGE-2023-09-25-122615.jpg" data-mid="191763706" border="0"  src="https://freight.cargo.site/w/960/i/e4025c031d25c3a8b0bcc0a0940c29a2f6bce3e43ec7a76cc340730072c62d00/IMAGE-2023-09-25-122615.jpg" /&#62;


MINT Gallery, Stockholm 13.5 – 26.8 2023

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