https://juliagiertz.info Julia Giertz Fri, 07 Nov 2025 12:29:53 +0000 https://juliagiertz.info en https://juliagiertz.info/Bio Tue, 26 Feb 2019 16:21:48 +0000 Julia Giertz https://juliagiertz.info/Bio BIO Julia Giertz (Stockholm) has a long-standing practice as a sound artist. Once originating from choreography, her practice is today influenced by implementing concepts of resonance and mechatronics. In her work composition is mixed with the construction of sound sculptures and electroacoustic instruments. Central to her work is the physical and political aspects of listening as well as the relation between sound, people and movement. She has presented works at the Venice Biennale, Unsound, Intonal, Tensta Konsthall, Kunsthal Charlottenborg, MDT, K3 Hamburg, Norberg and Norrlandsoperan amongst others. Some of her artistic collaborations include choreographer Marie Topp, composer Zosia Hołubowska, artist Cara Tolmie, k.ö.k/Kvinnocenter i Tensta, artist Lisa Nyberg and sound artist Tarek Atoui. She gives lectures in immersive audio and synthesis at various insitutions in Sweden and Denmark. As an audio engineer she has been supervising the development of the multichannel dome at the Royal Institute of Arts (Mejan) in Stockholm. Giertz is currently working part time as studio engineer at Elektronmusikstudion (EMS) in Stockholm. <img width="3662" height="2744" width_o="3662" height_o="2744" data-src="https://freight.cargo.site/t/original/i/1bdb31849384a7a177ebc47ea3b208be531963c9ac6b63d79f7d32fdfb16fa38/IMG_2535-2.JPG" data-mid="49632327" border="0" src="https://freight.cargo.site/w/1000/i/1bdb31849384a7a177ebc47ea3b208be531963c9ac6b63d79f7d32fdfb16fa38/IMG_2535-2.JPG" /> Photo credit: Julia Rakel ︎back https://juliagiertz.info/NOW-SOON Fri, 07 Nov 2025 12:29:53 +0000 Julia Giertz https://juliagiertz.info/NOW-SOON NOW / SOON2025November:&nbsp; &nbsp; 8/11-9/11 MAZE at Taidehalli in Helsinki as part of Moving in November Festival &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Tour supported by Konstnärsnämnden 2026 January: &nbsp; &nbsp; &nbsp; &nbsp; TBC release of new musicFebruary: &nbsp; &nbsp;&nbsp; &nbsp; TBC concerts in Paris March: &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;The Labyrinth at Dansehallerne&nbsp;27.3.2026, 20:00 and&nbsp;28.3.2026, 17:00 2027 Spring: &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Premiering new piece with Mari Topp at Dansehallerne in Copenhagen <img width="1575" height="1113" width_o="1575" height_o="1113" data-src="https://freight.cargo.site/t/original/i/c13115f5686cd15aa0a65196a389df10a068d5da1b62f82531e27a06cf1dd160/Bild_26.jpg" data-mid="240366599" border="0" src="https://freight.cargo.site/w/1000/i/c13115f5686cd15aa0a65196a389df10a068d5da1b62f82531e27a06cf1dd160/Bild_26.jpg" /> ︎back https://juliagiertz.info/Contact Tue, 15 Oct 2019 22:01:41 +0000 Julia Giertz https://juliagiertz.info/Contact CONTACT &nbsp; &nbsp; &nbsp; &nbsp; julia.giertz (at) gmail.com ︎back https://juliagiertz.info/Works Tue, 26 Feb 2019 16:21:48 +0000 Julia Giertz https://juliagiertz.info/Works https://juliagiertz.info/True-Random Mon, 07 Jul 2025 07:58:08 +0000 Julia Giertz https://juliagiertz.info/True-Random TRUE RANDOM︎ marietopp ︎ Dansehallerne ︎ superclean The soundstrack for True Random will be released Spring 2026 Time is out of joint. It resides in the body. True Random attempts to grasp the feeling of balancing on the edge of the abyss. Losing orientation. Losing the organization of the world. There is so much that matters in a life that is ruled by chance. It can be felt when the world is undergoing rapid transformation, and it serves as a reminder of how vulnerable we are, and how quickly everything can change. True Random is a performance where community and the poetic force of moving together are central, and where the meaningfulness of the randomness is explored. Credits: Choreography: Marie Topp&nbsp; Music: Julia Giertz Lightning Design, scenography: Mårten K Axelsson Costume design: Maria Folkmann Ipsen Dramaturgy: Igor Dobričić Developed and danced by: Karis Zidore, Snorre Elvin, Emilie Gregersen, Alexander Montgomery-Andersen&nbsp; Production: Visible Effects Producer: Carlos Calvo Photos: Christian Bang&nbsp; Reviews: Danstidningen by Vibeke Wern Bastard by Stina Strange Thue Sceneblog Material:Bytebeated Korg MS 20&nbsp; Eurorack Buchla 200 Supercollider/Superclean Fire Orchs Swords Wings Dragons Photo: Cristian Bang <img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/ae144fb6b7ef546391758188aff67e9be807373159cb3b659d74205838f8a941/Christian-Bang5.jpeg" data-mid="235475431" border="0" src="https://freight.cargo.site/w/1000/i/ae144fb6b7ef546391758188aff67e9be807373159cb3b659d74205838f8a941/Christian-Bang5.jpeg" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/705e7c853a7b73f6def7a0130c4037238347b0d2d970a28008854276a7a094b1/Christian-Bang3.jpeg" data-mid="235475365" border="0" src="https://freight.cargo.site/w/1000/i/705e7c853a7b73f6def7a0130c4037238347b0d2d970a28008854276a7a094b1/Christian-Bang3.jpeg" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/14946d2e375c0df976ab247707e9af2c0f165ca9432867dee52f3ba7494e9ebb/Christian-Bang4.jpeg" data-mid="235475430" border="0" src="https://freight.cargo.site/w/1000/i/14946d2e375c0df976ab247707e9af2c0f165ca9432867dee52f3ba7494e9ebb/Christian-Bang4.jpeg" /> <img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/20960b9bae902cf391b080244a868812e97ad2ff7f2c736ce87a5b8049b273d3/Christian-Bang2.jpeg" data-mid="235475364" border="0" src="https://freight.cargo.site/w/1000/i/20960b9bae902cf391b080244a868812e97ad2ff7f2c736ce87a5b8049b273d3/Christian-Bang2.jpeg" /> True Random is the third piece in a series of performances exploring our personal, inner time in different phases of life. The experience of the passage of time is embodied through different formats, spaces, and temporalities. The previous works in the series are The Labyrinth (2022) and Maze (2023). By following the architecture of the labyrinth, the logic of the maze, moving towards the concept of “True Random”, these choreographies invite the audience to reflect on life and existence in relation to the most fundamental movement: the passing of time. About the artistsMarie Topp and Julia Giertz have been collaborating for ten years and have created a number of works. Their artistic practices meet at the intersection between choreography and sound art. Together with lighting designer Mårten K Axelsson and dramaturgist Igor Dobričić, they have formed a distinctive expression through intentionally crafted minimalism that holds space for the movement of time.About the Artistic Collaboration“The music by Julia Giertz and the lighting design by Mårten K Axelsson. Music, light, and choreography are not merely woven together, but play together like a jazz band, giving space to each other as equal partners. There are layers of narrative that we cannot see, but sense as inner images and dream visions in a blend of movement and light.” – Iscene.dk on The Labyrinth Their works have been shown at MDT (Stockholm), Dansehallerne, Inkonst Malmö Takkelloftet/Operaen (KBH), and Kampnagel (Hamburg) amongst others. Premiered at Dansehallerne (Copenhagen) May 25 2025 Co-Production: Dansehallerne Supported by: Statens Kunstfond, William Demant Fonden, Wilhelm Hansen Fonden, Knud Højgaards Fond, Beckett Fonden, Augustinus Fonden, Københavns Kommune Scenekunstudvalg ︎back https://juliagiertz.info/Maze Sun, 25 Feb 2024 09:48:25 +0000 Julia Giertz https://juliagiertz.info/Maze MAZE︎ marietopp ︎ Hägerstens Medborgarhus ︎ MARC We have chosen to forget what we think we know about the theatre, dance, collaboration, music, technology, community, storytelling, publicness, situation, event, intimacy, body, presence. We left those preconceived notions behind in order to search for their renewal. So, as it is often the case inside the maze, we keep moving backward in order to move forward in more than one sense: We are retreating toward death so that we candiscover how to live. We are joining together so that we can againunderstand theatre. We are engaging a resting subject so that we can recover a resonating object. We are reclaiming the sculptural volume of the body in order to make it dance. We are discovering the origin of music in sound in order to listen deeply. We are inviting you to be invited by you. We are seeing you in order to be seen. Because what was before will come back again,as new. Or at least - that is our hope. Maze shows: 2025 8-9 november 10:00-12:00 Taidehalli as part of Moving in November Festival Tour supported by Konstnärsnämnden 3-6 April, Tredje Våningen, GöteborgNovember 8-9 Taidehalli, Helsinki as part of Moving in November 2023 2024 16 - 17 Mars Hägerstensåsensmedborgarhus, Stockholm 20-25 Maj Sydhavnsteater, Copenhagen 27-29 September, Kunsthal 44Møen, Møen 2023October 15 Marc in Knislinge People: Music and electronics: Julia Giertz Choreography and perfomer: Marie Topp Dramaturgy: Igor Dobričić Programming PD/Bela:John Chantler Programming Arduino: William Rickman String instruments: Julia Giertz and Felix Ahlberg Ericsson Metal resonators: Samuel Norup Production: Carlos at Visible Effects Special thanks to: Cara Tolmie, William Rickman, Sergey Filatov, Tarek Atoui, Camilla Barratt Due, Elof Hällström, Sebastian Dahlqvist &amp; everyone at MARC and Hägerstens Medborgarhus Material:Bela IR-sensors Plywood BeechwoodMasurwood / vril Speechsynthesis Coil-microphones DMX/PWM converters Transducers Plastic belts CopperwireTuning pegs DC-motors Amplifiers Korg MS20 EurorackV-synthStrings Buchla Metal Watch a trailer of&nbsp;Maze on YouTube Photos in order of apperance: Thomas Gunnar Bagge, Marcus Jablonski &amp; Santiago Mostyn, Erik Sandberg <img width="5954" height="3975" width_o="5954" height_o="3975" data-src="https://freight.cargo.site/t/original/i/dec1f9435b873ff22efccafa9be0e6374d0d89986eca236191df91998f79e908/Maze-Efterarsfestival2024-44Men-3592FotoThomasGunnarBagge.jpg" data-mid="225120683" border="0" src="https://freight.cargo.site/w/1000/i/dec1f9435b873ff22efccafa9be0e6374d0d89986eca236191df91998f79e908/Maze-Efterarsfestival2024-44Men-3592FotoThomasGunnarBagge.jpg" /> <img width="5734" height="3828" width_o="5734" height_o="3828" data-src="https://freight.cargo.site/t/original/i/0ba1c30c97ed5bc5914d0c0ff739f49cbad8ac2cb1868c15b5ab57d2d669c5d1/Maze-Efterrsfestival2024-44Men-3544FotoThomasGunnarBagge.jpg" data-mid="225120733" border="0" src="https://freight.cargo.site/w/1000/i/0ba1c30c97ed5bc5914d0c0ff739f49cbad8ac2cb1868c15b5ab57d2d669c5d1/Maze-Efterrsfestival2024-44Men-3544FotoThomasGunnarBagge.jpg" /> <img width="5878" height="3924" width_o="5878" height_o="3924" data-src="https://freight.cargo.site/t/original/i/fd7bc9ff77d0265c4af1e37b70c246dd9725ee710161c2da4e06cb4ab8727055/Maze-Efterrsfestival2024-44Men-3599FotoThomasGunnarBagge.jpg" data-mid="225120730" border="0" src="https://freight.cargo.site/w/1000/i/fd7bc9ff77d0265c4af1e37b70c246dd9725ee710161c2da4e06cb4ab8727055/Maze-Efterrsfestival2024-44Men-3599FotoThomasGunnarBagge.jpg" /> <img width="5920" height="3952" width_o="5920" height_o="3952" data-src="https://freight.cargo.site/t/original/i/0699c7ff6424a6793e74143a8fa0835ceb1ed83deab3d04d0f342958b5db0741/Maze-Efterrsfestival2024-44Men-3605FotoThomasGunnarBagge.jpg" data-mid="225120731" border="0" src="https://freight.cargo.site/w/1000/i/0699c7ff6424a6793e74143a8fa0835ceb1ed83deab3d04d0f342958b5db0741/Maze-Efterrsfestival2024-44Men-3605FotoThomasGunnarBagge.jpg" /> <img width="5176" height="3455" width_o="5176" height_o="3455" data-src="https://freight.cargo.site/t/original/i/c028bbee0b0206886f869e2fc76233686c28b566c434ec42cdc74942dce45da7/Maze-Efterrsfestival2024-44Men-3609FotoThomasGunnarBagge.jpg" data-mid="225120821" border="0" src="https://freight.cargo.site/w/1000/i/c028bbee0b0206886f869e2fc76233686c28b566c434ec42cdc74942dce45da7/Maze-Efterrsfestival2024-44Men-3609FotoThomasGunnarBagge.jpg" /> <img width="2560" height="1709" width_o="2560" height_o="1709" data-src="https://freight.cargo.site/t/original/i/819b2cbac21248b3fcc1f5ab0af69409dce59c55ce3f7c6e6942848043168b94/JABLONSKI_MOSTYN_Selects_MAZE_14-scaled.jpg" data-mid="211638676" border="0" src="https://freight.cargo.site/w/1000/i/819b2cbac21248b3fcc1f5ab0af69409dce59c55ce3f7c6e6942848043168b94/JABLONSKI_MOSTYN_Selects_MAZE_14-scaled.jpg" /> <img width="2560" height="1709" width_o="2560" height_o="1709" data-src="https://freight.cargo.site/t/original/i/9e5cc27ee31ffc5d063fb87969f542f5a8d6f2e874d09da7e4f02cb66f4b8a0d/JABLONSKI_MOSTYN_Selects_MAZE_11-scaled.jpg" data-mid="211638675" border="0" src="https://freight.cargo.site/w/1000/i/9e5cc27ee31ffc5d063fb87969f542f5a8d6f2e874d09da7e4f02cb66f4b8a0d/JABLONSKI_MOSTYN_Selects_MAZE_11-scaled.jpg" /> <img width="2560" height="1709" width_o="2560" height_o="1709" data-src="https://freight.cargo.site/t/original/i/96e61447564c7df0dbb929d0a8ed6f1593f4fa5b489560f1b4120cbad48cc894/JABLONSKI_MOSTYN_Selects_MAZE_07-scaled.jpg" data-mid="211638674" border="0" src="https://freight.cargo.site/w/1000/i/96e61447564c7df0dbb929d0a8ed6f1593f4fa5b489560f1b4120cbad48cc894/JABLONSKI_MOSTYN_Selects_MAZE_07-scaled.jpg" /> <img width="2048" height="1080" width_o="2048" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ccb75dff4c127011a1debe9badc21b6f839578731f2848f5f77afe42580accd5/Maze-2-credit-Erik-Sandberg-_-studio-Kupol-.jpeg" data-mid="205407143" border="0" src="https://freight.cargo.site/w/1000/i/ccb75dff4c127011a1debe9badc21b6f839578731f2848f5f77afe42580accd5/Maze-2-credit-Erik-Sandberg-_-studio-Kupol-.jpeg" /> Maze is the second work in a series consisting of three reflections on time and existence. Staged in different formats, spaces, and temporalities, theseries will process the relationship between the inner and outer worlds and reflect on what existence is in a world of decay. About the artistsMarie Topp and Julia Giertz have been collaborating for ten years and have created a number of works. Their artistic practices meet at the intersection between choreography and sound art. Together with lighting designer Mårten K Axelsson and dramaturgist Igor Dobričić, they have formed a distinctive expression through intentionally crafted minimalism that holds space for the movement of time. Their works have been shown at MDT (Stockholm), Dansehallerne, Inkonst Malmö Takkelloftet/Operaen (KBH), and Kampnagel (Hamburg) amongst others. Supported by: <img width="643" height="224" width_o="643" height_o="224" data-src="https://freight.cargo.site/t/original/i/8324fac246c2411b0c7efd906a53da15693ec288d223ec876a2b17ed0557d5e8/hagerstenArtboard-1.png" data-mid="205407203" border="0" data-scale="27" src="https://freight.cargo.site/w/643/i/8324fac246c2411b0c7efd906a53da15693ec288d223ec876a2b17ed0557d5e8/hagerstenArtboard-1.png" /><img width="640" height="223" width_o="640" height_o="223" data-src="https://freight.cargo.site/t/original/i/25f5e1bc43bd7908e6bc27a6fe633f3389c8a4e9c0c4b4bf3a5479795858aa73/MARC.png" data-mid="205407214" border="0" data-scale="31" src="https://freight.cargo.site/w/640/i/25f5e1bc43bd7908e6bc27a6fe633f3389c8a4e9c0c4b4bf3a5479795858aa73/MARC.png" /><img width="838" height="83" width_o="838" height_o="83" data-src="https://freight.cargo.site/t/original/i/2511622bbaf69620b2641eac39a0ab2296b4a28fb1aa4575f12a916624b46aea/KnudArtboard-1.png" data-mid="205407212" border="0" data-scale="46" src="https://freight.cargo.site/w/838/i/2511622bbaf69620b2641eac39a0ab2296b4a28fb1aa4575f12a916624b46aea/KnudArtboard-1.png" /><img width="928" height="225" width_o="928" height_o="225" data-src="https://freight.cargo.site/t/original/i/5b11a5e300136ccc7eefc61b72883dba480fde1e562103910451e017b87dbd4b/photo_2024-01-29-10.57.31.jpeg" data-mid="205407202" border="0" data-scale="30" src="https://freight.cargo.site/w/928/i/5b11a5e300136ccc7eefc61b72883dba480fde1e562103910451e017b87dbd4b/photo_2024-01-29-10.57.31.jpeg" /> <img width="2382" height="908" width_o="2382" height_o="908" data-src="https://freight.cargo.site/t/original/i/5d3a7397ad0a0216950456e6c8c3f7fe263b7cfadb2e8471239b60d38798f73d/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" data-mid="205407039" border="0" src="https://freight.cargo.site/w/1000/i/5d3a7397ad0a0216950456e6c8c3f7fe263b7cfadb2e8471239b60d38798f73d/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" /> ︎back https://juliagiertz.info/Metodutveckling Mon, 25 Sep 2023 10:35:33 +0000 Julia Giertz https://juliagiertz.info/Metodutveckling Metodutveckling︎ marietopp ︎ Hägerstens Medborgarhus ︎ MARC Music and electronics: Julia Giertz Choreographic consultant and perfomer in the research process: Marie Topp Programming PD/Bela:John Chantler Artistic constultant: Camilla Barratt-Due Programming Arduino: William Rickman String instruments: Julia Giertz and Felix Ahlberg Ericsson Metal resonators: Samuel Norup Final photo/film by Erik/Studio Kupol and John Chantler Special thanks to: Cara Tolmie, William Rickman, Sergey Filatov, Tarek Atoui, Camilla Barratt Due, Elof Hällström, Sebastian Dahlqvist &amp; everyone at Hägerstens Medborgarhus Material:Bela IR-sensors Plywood BeechwoodMasurwood / vril Speechsynthesis Coil-microphones DMX/PWM converters Transducers Plastic belts CopperwireTuning pegs DC-motors Amplifiers Korg MS20 EurorackV-synthStrings Buchla Metal Maze from Marie Topp on Vimeo. Photos from the process by Julia Giertz <img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c74e5f9128fbca116092028cf4c9ffc83110ae7c5366a3b60643bbd5df3e28f3/photo_2023-09-25-12.42.18.jpeg" data-mid="191764374" border="0" src="https://freight.cargo.site/w/960/i/c74e5f9128fbca116092028cf4c9ffc83110ae7c5366a3b60643bbd5df3e28f3/photo_2023-09-25-12.42.18.jpeg" /> <img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4dd6980c44c58e79c62bd18aa5485bd5fd1416d5bb4872941a568d2e6cdf575d/photo_2023-09-25-12.43.02.jpeg" data-mid="191764379" border="0" src="https://freight.cargo.site/w/960/i/4dd6980c44c58e79c62bd18aa5485bd5fd1416d5bb4872941a568d2e6cdf575d/photo_2023-09-25-12.43.02.jpeg" /> <img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/85309ad8e80baa5526a5b0d99c650ee0c08fb830c9da2febd2fe0b349777a160/photo_2023-09-25-12.42.22.jpeg" data-mid="191764375" border="0" src="https://freight.cargo.site/w/960/i/85309ad8e80baa5526a5b0d99c650ee0c08fb830c9da2febd2fe0b349777a160/photo_2023-09-25-12.42.22.jpeg" /> Open research space:16 - 17 of March Hägerstens Medborgarhus (Stockholm) About the method development: In this research the main focus has been on deepening the relationship between listening and memory, movement and electronics. We have been working closely with IR-sensors, Bela microcontrollers and transducers in the choreographic space. The sounds produced have been recorded memories and syntetic percussion filtered through various objects, where the filter responce and resonance of each object has been enhanced by a syntezised resonances and modulation. About the collaboration between Marie Topp and Julia GiertzMarie Topp (DK) and Julia Giertz (SE) met at The National School of Performing Arts in Denmark (2005) – since then they have maintained a close artistic dialogue. During the last ten years they have been continuously involved in each other’s artistic projects as colleagues and collaborators. Often in collaboration with lighting designer Mårten K Axelsson and dramaturge Igor Dobričić. &nbsp; Supported by: <img width="2382" height="908" width_o="2382" height_o="908" data-src="https://freight.cargo.site/t/original/i/5d3a7397ad0a0216950456e6c8c3f7fe263b7cfadb2e8471239b60d38798f73d/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" data-mid="195484819" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/5d3a7397ad0a0216950456e6c8c3f7fe263b7cfadb2e8471239b60d38798f73d/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" /> ︎back https://juliagiertz.info/Cascade-Bend-Chamber Mon, 25 Sep 2023 10:13:27 +0000 Julia Giertz https://juliagiertz.info/Cascade-Bend-Chamber Cascade Bend Chamber︎ MINT ︎ Cara Tolmie &nbsp;︎ Susanna Jablonski Sound sculptres created in collaboration between Cara Tolmie and Julia Giertz Concept and music: Cara Tolmie and Julia Giertz Metal work: Cara Tolmie and Danae Valenza MINT Gallery, Stockholm&nbsp;13.5 – 26.8 2023 Material:AluminiumCaras voice Transducers Amplifiers Speakers Cascade Bend Chamber is a major new commision at Mint, led by artist and musician Cara Tolmie. It takes shape through installation, music and performance and is made in dialogue with various collaborators including, amongst others, Julia Giertz, Susanna Jablonski and live performances with Stine Janvin and Em Silén. &nbsp; Lsi (Cara Tolmie &amp; Julia Giertz 2023)&nbsp; <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/3d67f115216e3c5b62ab255923cd5089c85156de48c3c29726bc41263a3fff45/IMAGE-2023-09-25-122637.jpg" data-mid="191763552" border="0" src="https://freight.cargo.site/w/1000/i/3d67f115216e3c5b62ab255923cd5089c85156de48c3c29726bc41263a3fff45/IMAGE-2023-09-25-122637.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/bc555289202aa9dc00fb36442a2aea5f1cd50ec80dc6078744dfe19e4ae1e831/IMAGE-2023-09-25-122635.jpg" data-mid="191763551" border="0" src="https://freight.cargo.site/w/1000/i/bc555289202aa9dc00fb36442a2aea5f1cd50ec80dc6078744dfe19e4ae1e831/IMAGE-2023-09-25-122635.jpg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/782e1c3e4949d8be32c2a8c3506f1da8a2f0fdf0df8fb3ce48a02769ede32ca8/IMAGE-2023-09-25-122639.jpg" data-mid="191763553" border="0" src="https://freight.cargo.site/w/1000/i/782e1c3e4949d8be32c2a8c3506f1da8a2f0fdf0df8fb3ce48a02769ede32ca8/IMAGE-2023-09-25-122639.jpg" /> Metal resonators by Cara Tolmie and Julia Giertz (2023) installed together with listening panels from velvet by Cara Tolmie and Susanna Jablonski (2021) <img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/677c13004c5193e907ef9207b9567d457c1498473687d814d9e38918475d0fa3/IMAGE-2023-09-25-122620.jpg" data-mid="191763707" border="0" src="https://freight.cargo.site/w/960/i/677c13004c5193e907ef9207b9567d457c1498473687d814d9e38918475d0fa3/IMAGE-2023-09-25-122620.jpg" /> <img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/e4025c031d25c3a8b0bcc0a0940c29a2f6bce3e43ec7a76cc340730072c62d00/IMAGE-2023-09-25-122615.jpg" data-mid="191763706" border="0" src="https://freight.cargo.site/w/960/i/e4025c031d25c3a8b0bcc0a0940c29a2f6bce3e43ec7a76cc340730072c62d00/IMAGE-2023-09-25-122615.jpg" /> MINT Gallery, Stockholm 13.5 – 26.8 2023 ︎back https://juliagiertz.info/Klirret-pa-Gulvet-1 Fri, 30 Jun 2023 17:09:45 +0000 Julia Giertz https://juliagiertz.info/Klirret-pa-Gulvet-1 KLIRRET PÅ GULVET︎ Konstnärsnämnden ︎ CamillaBarrattDue A collaboration between Camilla Barratt Due and Julia Giertz Material:Aluminium Voice Transducers Amplifier Strings Eurorack Supercollider <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/a25778dbb07c7c4ac0e2b399a44905ab88a120c65154e2a48c8f1fc2efb46965/photo_2023-06-30-19.16.30.jpeg" data-mid="183802983" border="0" src="https://freight.cargo.site/w/1000/i/a25778dbb07c7c4ac0e2b399a44905ab88a120c65154e2a48c8f1fc2efb46965/photo_2023-06-30-19.16.30.jpeg" /> Concert at Fylkingen June 3rd 2023 This collaboration and exchange was made possible with support from The Swedish Arts Grants Commitee. <img width="2382" height="908" width_o="2382" height_o="908" data-src="https://freight.cargo.site/t/original/i/132cf2f35a5c4550a94689e5405b18fe60604f5d26ddf3a7606399b5af9de85c/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" data-mid="183802941" border="0" src="https://freight.cargo.site/w/1000/i/132cf2f35a5c4550a94689e5405b18fe60604f5d26ddf3a7606399b5af9de85c/Konstnarsnamndens-logotyp-for-webb-med-svart-text.png" /> ︎back https://juliagiertz.info/Llac Tue, 10 May 2022 13:44:26 +0000 Julia Giertz https://juliagiertz.info/Llac Llac︎ GnestaArtLab ︎ Cara Tolmie &nbsp;︎ MARC Four channel soundwork and singing sculpture. 13 min. Concept and music: Cara Tolmie and Julia Giertz Curator: Bronwyn Bailey-Charteris Metal work: Samuel Norup Premanetly installed at Gnesta Art Lab (SE) Material:Aluminium Voice Transducers Amplifier Drawing on their shared interest in sound and its relationship to the body, artists Cara Tolmie and Julia Giertz collaborated to make a suspended, sonic sculpture entitled Llac. The curved metal sculpture hangs within the pond, emitting irregular calls, tones and taps towards the multi-layered vocals playing through the speakers overhead. All of the sounds used in this piece are vocal recordings made onsite at Art Lab Gnesta by Cara during a residency in March 2022. These include her mirroring the uncanny sounds of the melting lake with her voice, exploring haunting reverberations in the brewery hall and conducting a cyclical vocal practice she calls Internal Singing.Llac is a permanent sonic sculpture that reverberates, sings and contracts, using the sonic as a way to reverberate and call between multiple watery beings. Commissioned by Bronwyn Bailey-Charteris and Artlab Gnesta as part of 'High Tide, Fine Line' Full mixdown of the sound in the space Cara Tolmie · Llac - Julia Giertz and Cara Tolmie <img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/58d76b48d08a0484c8202e9cb34a3b20105869970ea193dca273a96bc53b835d/photo_2022-05-10-15.48.51.jpeg" data-mid="142171105" border="0" src="https://freight.cargo.site/w/960/i/58d76b48d08a0484c8202e9cb34a3b20105869970ea193dca273a96bc53b835d/photo_2022-05-10-15.48.51.jpeg" /> Permanent installation at Gnesta Art Labopening September 17th 2022 ︎back