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Metodutveckling
Cascade Bend Chamber
Klirret på Gulvet
Llac
Liquid Singing
The Labyrinth
Community of Grieving
K.Ö.K
Song for Abukar
Intermission
Oceanic
Hail to the Good Listener
Junko & Sulan
Pamela
Tarek Atoui
 Solder
Junko the Rose
Shrill
Liaisons
Gatumeditation
Feelers
Fullmånen från Helvetet
Feeds
Unsettling
Teknodiver
Visible effects
   of force
Sound as Touch
Release
Forerunning

Teaching & lectures



Four channel soundwork and singing sculpture. 13 min.

Concept and music: Cara Tolmie and Julia Giertz

Curator: Bronwyn Bailey-Charteris
Metal work: Samuel Norup

Premanetly installed at Gnesta Art Lab (SE)
Material:
Aluminium
Voice
Transducers
Amplifier





Drawing on their shared interest in sound and its relationship to the body, artists Cara Tolmie and Julia Giertz collaborated to make a suspended, sonic sculpture entitled Llac. The curved metal sculpture hangs within the pond, emitting irregular calls, tones and taps towards the multi-layered vocals playing through the speakers overhead. All of the sounds used in this piece are vocal recordings made onsite at Art Lab Gnesta by Cara during a residency in March 2022. These include her mirroring the uncanny sounds of the melting lake with her voice, exploring haunting reverberations in the brewery hall and conducting a cyclical vocal practice she calls Internal Singing.
Llac is a permanent sonic sculpture that reverberates, sings and contracts, using the sonic as a way to reverberate and call between multiple watery beings.

Commissioned by Bronwyn Bailey-Charteris and Artlab Gnesta as part of 'High Tide, Fine Line'



Full mixdown of the sound in the space



Permanent installation at Gnesta Art Lab
opening September 17th 2022


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